The Lost Magic of the Etruscan Tombs

Exploring the ancient tombs of the Etruscans made it possible to know more about their civilization – in fact, most of what we do know comes from these tombs. We can determine that the Etruscans believed that life continued after death because of the way they designed and furnished their tombs in the same way that they did their homes -- both of the architectural styles evolving together through time.

Hypogeal tombs, the most ancient of the Etruscan tombs, consisted of large block-like stones that circled around in rows progressing inward until the last piece closed the roof. They were similar in appearance to the Irish tombs found at Newgrange. Later, the Etruscans built underground tombs with more complex floor plans. These tombs, called tumuli tombs, included a central hallway, which led to different passageways and several chambers, oftentimes enough to house various members of the same family. Cubes came next. Inside each cube, there were only two chambers with a stairway leading to an altar for worship. Placed beside each other in rows, these cube tombs formed cities for the dead. For the most part, these tombs mirrored the lives of the Etruscans in the way they built their cities as well as the faith of the people. The hypogeal tombs represented the simple lifestyle of the people at that time – small huts with food and furnishings, which represented a “primitive” belief of surrounding the dead with things needed in daily life that would help them to survive in the afterlife. The tumuli tombs, although more advanced in design, still show that the Etruscans had the same belief system. The cubes, with their altars, show us that there was more of a Greek influence. The people started to believe in more of a “kingdom of the dead.”

The differences in the tombs not only represent the time, but each city had their own distinct differences in the way they celebrated their dead. Some were quite elaborate and looked like mini-temples with columns and pediments, while others painted their tombs with vivid frescoes on the ceilings and walls. Some cremated their dead and placed the ashes into shrunken statues of the person. In other cities, it was tradition to have life-sized statues placed inside of the tombs. Many of these tombs included statues of man and wife sharing the same lid and reclining together, which is another indication that women played an important role in the lives of the Etruscans.

A tomb found in Orvieto had its walls covered with frescoes and illustrated the complete preparation of a banquet, from hanging animals before they were cooked, male slaves lighting the oven, female slaves setting the feast table and using a mortal and pestle to a flutist playing. Many tomb paintings found in Tarquinia show aristocrats in activities of merriment, like dancing, feasting, and drinking, as well as participating in athletic contests and gladiator-style competitions. One tomb in particular, named the Tomb of the Bulls, had a more graphic and explicit painting. It shows a man and woman creating life with a bull charging the couple. A sign of fertility, the charging bull has long been symbolic throughout ancient societies. The painting’s theme shows the belief that the deceased person’s immortality would be through their fertility. White another tomb painting showed the Etruscan version of the fall of Troy; a different displayed the belief that man does not dominate his environment.

No one knows the true nature of the themes found in the Etruscan tombs; we can only guess. They could have been trying to show that the life they were entering was going to be just as great as the one they were leaving, or perhaps the paintings represented the person at the height of their life. The paintings of feasts could have been pictorial embodiments of the dead person’s funeral banquet or represent a hope of resurrection. Whatever the meaning may actually be, the common elements of the Etruscan tombs show us the joyousness they expressed in their daily lives, as well as the adoration they felt for their Folk who had passed.

By Melody LaRue


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